Burnout 2001 took place in a large carpark
at the Docklands precinct on the fringe of the Melbourne CBD. In
this carpark six different cars performed a choreographed display
of burnouts. A burnout is achieved when the driver spins the wheels
of a car in order to leave an indelible rubber trace on the road
surface.
This
choreography was designed to create a forty minute
spectacle that culminates in a giant drawing. The spinning
tyres on the carpark surface mark the ground like charcoal
sticks on a canvas. This drawing process was watched by
a live audience seated around the performance ‘arena’, and
on the internet around the world via a live broadcast involving
five digital cameras and a vision mixing desk.
During
the performance (and at the conclusion) a photographer
took a series of four pictures of the drawing from a cherry
picker positioned directly overhead. These photos were
cabled down to a PC and a printing station where copies were
made en masse and distributed to members of the audience as
the performance took place. At the end of the performance
members of the audience were invited to have them autographed
by the car drivers.
The event
was borne out of a fascination with the gestures of territorial
sovereignty and machismo situated wherever virgin asphalt lies.
The project has become an amalgam of differing cultural agendas,
i.e.: streetcars, sport, and high art dance and painting. This
amalgam seeks to identify a shift in the paradigm of art appreciation
and to acknowledge an audience situated outside their normal cultural
realm.
Left & Above: Artist's 3D
Impression.
Build it and
they will
Come.
...and art,
big art
and music
and smoke
and noise
and stars performing.
(C) Photo copyright by Georges Rosset
/ Geneva
(C) Photo copyright by Georges Rosset
/ Geneva
Images from Nazca Culture - Aerial Photographs
( Peru 300-700 AD)
Uffington White Horse -Aerial Photograph
Oxfordshire, England